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Monsieur Verdoux (1947) at Academy Cinemas

Monsieur Verdoux (1947)

124 mins | Rated PG

Directed by Charlie Chaplin

Starring Martha Raye, William Frawley, Marilyn Nash, Isobel Elsom


Playing as part of Academy's BEST OF BLACK COMEDY film festival April 16th - May 4th!

'Charlie Chaplin plays shockingly against type in his most controversial film, a brilliant and bleak black comedy about money, marriage, and murder. Chaplin is a twentieth-century bluebeard, an enigmatic family man who goes to extreme lengths to support his wife and child, attempting to bump off a series of wealthy widows (including one played by the indefatigable Martha Raye, in a hilarious performance). This deeply philosophical and wildly entertaining film is a work of true sophistication, both for the moral questions it dares to ask and for the way it deconstructs its megastar’s lovable on-screen persona.'
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Playing as part of Academy's BEST OF BLACK COMEDY film festival April 16th - May 4th!

'Charlie Chaplin plays shockingly against type in his most controversial film, a brilliant and bleak black comedy about money, marriage, and murder. Chaplin is a twentieth-century bluebeard, an enigmatic family man who goes to extreme lengths to support his wife and child, attempting to bump off a series of wealthy widows (including one played by the indefatigable Martha Raye, in a hilarious performance). This deeply philosophical and wildly entertaining film is a work of true sophistication, both for the moral questions it dares to ask and for the way it deconstructs its megastar’s lovable on-screen persona.'
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Monsieur Verdoux (1947)

124 mins | Rated PG | Black Comedy

Directed by Charlie Chaplin | Starring Martha Raye, William Frawley, Marilyn Nash, Isobel Elsom


Playing as part of Academy's BEST OF BLACK COMEDY film festival April 16th - May 4th!

'Charlie Chaplin plays shockingly against type in his most controversial film, a brilliant and bleak black comedy about money, marriage, and murder. Chaplin is a twentieth-century bluebeard, an enigmatic family man who goes to extreme lengths to support his wife and child, attempting to bump off a series of wealthy widows (including one played by the indefatigable Martha Raye, in a hilarious performance). This deeply philosophical and wildly entertaining film is a work of true sophistication, both for the moral questions it dares to ask and for the way it deconstructs its megastar’s lovable on-screen persona.'

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