115 mins |
Rated
PG (Coarse language)
Directed by Lee Isaac Chung
Starring Steven Yeun, Scott Haze, Yuh-Jung Youn, Yeri Han, Eric Starkey, Will Patton
Playing as part of the 2022 Korean Film Festival October 6th-8th.
Tickets to the festival are free. Tickets can be booked either through the Academy Cinemas website ($1.50 booking fee applies) or at the Academy Cinemas counter (no booking fee). Please note phone bookings are not available for the festival.
A tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to a tiny Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home.
"For all the struggle that takes place in this movie, it is the quiet grace that you most remember. MINARI shares its secrets with a whisper, and as it unfolds, you find yourself leaning into it, enraptured." [Glen Whipp / Los Angeles Times]
Read more...
Playing as part of the 2022 Korean Film Festival October 6th-8th.
Tickets to the festival are free. Tickets can be booked either through the Academy Cinemas website ($1.50 booking fee applies) or at the Academy Cinemas counter (no booking fee). Please note phone bookings are not available for the festival.
A tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to a tiny Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home.
"For all the struggle that takes place in this movie, it is the quiet grace that you most remember. MINARI shares its secrets with a whisper, and as it unfolds, you find yourself leaning into it, enraptured." [Glen Whipp / Los Angeles Times]